Saturday, March 31, 2007
Field Guides
The Vermont Folklife Center Archive - Field Research Guides :: Vermont Folklife Center Middlebury VT
Wednesday, March 28, 2007
World Change and Idealism
Think Different - Wikipedia, the free encyclopedia
Because the people who are crazy enough to think that they can change the world, are the ones who do.So, the idea here: idealists may in fact be involved in this type of social change Attali and others have been talking about.
Is this what the world really needs? Are the dreamers' dreams worthier than those of the majority?
Threads
- Participation
- Aesthetics
- Identity
- Representation
- Status
- Power
- Subversion
- Commodification
- Value
- Function
- Gender
ANTH398D Meeting 13
PedTech Survey
Tech and learning
Constructivism
Application
Course as a whole
Exploration
Solidifying
Engagement
Attali
Active, dynamic
French intellectual
Polymath
Globalisation
Microcredit
Playlist
Star and Campfire
Pour un instant | 3:21 | Harmonium | Harmonium |
Un musicien parmi tant d'autres | 7:01 | Harmonium | Harmonium |
Dixie | 3:26 | Harmonium | Si on avait besoin d'une 5e saison |
Court to Popular
Sunjata Fasa | 9:48 | An Be Kelen | We Are One |
Auprès de ma blonde | 2:42 | Aristide Bruand | À Montmartre |
Le fiacre | 2:43 | Jean Sablon | Paris - Café Concert! |
Martin de la Chasse-Galerie | 3:52 | La Bottine Souriante | La Mistrine |
Anthems
internationale-fr | 3:22 |
|
|
Internationale RU | 3:58 |
|
|
I'internationale | 5:12 | Pete Seeger | Singalong: Live at Sanders Theatre, 1980 |
Internationale | 3:48 | Billy Bragg | The Internationale |
anacreon | 2:18 |
|
|
Oh Canada | 1:34 | Sarah McLachlan |
|
CBC Hockey Night In Canada | 0:33 | CBC Canada Ltd. |
|
Gens du pays | 2:22 | Gilles Vigneault | Chemin faisant - Cent et une chansons (disc 5) |
Aux armes et Caetera | 3:05 | Serge Gainsbourg | Aux Armes et Caetera |
Me'shell
Barry Farms | 5:20 | Me'Shell NdegéOcello | Cookie: The Anthropological Mixtape |
Poison Ivy | 3:32 | Me'Shell NdegéOcello | Batman & Robin |
Jabril | 6:06 | Me'Shell NdegéOcello | Cookie: The Anthropological Mixtape |
The Womb | 1:25 | Me'Shell NdegéOcello | Peace Beyond Passion |
Who Is He and What Is He to You | 4:49 | Me'Shell NdegéOcello | Peace Beyond Passion |
Noise
Artist
Specialist
Individual
Not craftsperson or servant
Creative
Living from Art
Patronised
Court
Aristocratic
Bourgeois
Intellectual
Popular
Commodity
Object of sale
Interchangeable
Value
Symbolic
Exchange
Commercial
Political economy
Lateralisation
Capitalisms
French
American
(British?)
(German?)
(Post-National?)
Commercialism
Liberalism
Invisible hand
Resources
Values
Exchange
Economics, Sociology, (European) Anthropology
Adam Smith
Thomas Malthus
Karl Marx
Émile Durkheim
Max Weber
Theodor Adorno
Steps
Printing press
Industrialisation
Revolutions
Romanticism
Modernity
Post-Modernity
Reproduction
Rights
Copyright
Blog.CriticalWorld.Net
Larry Lessig
Creative Commons
Anthony McCann
Napster, RIAA
Big Four (Sony BMG, Warner Music, EMI, Universal)
Noise and Harmony
Physics
Chaos and order
Social control
Metaphor
Pedagogical value
Used by thinkers
Actual influence
History
Music prefiguring change
Music in changing society
Directionality
French exceptionalism
French Revolution
Nationalism
Pride
Society representing itself
Threads
Sound, acoustics
Arts and Sciences
Inter-subjectivity
Dance
Social structure
Subversion
Commodification
Participation
Monday, March 26, 2007
Playing with Music
To me, this is part of the whole "mashup" era for music and other creative forms. Doing something with music besides listening to you or buying it.
This time, Angélique Kidjo is among the sources for this competition.
Real World Remixed | Home
Friday, March 23, 2007
Jazz and Shallowness
I'll nurture my own accent but I won't lick anyone's boots.
Wednesday, March 21, 2007
Is Music Deviant?
ANTH398D – Selected Topics in Anthropology: Ethnomusicology
Meeting 12, March 21, 2007
Deviant
Alexandre Enkerli
Announcements
Two meetings left
Erin McLeod on April 4
Upcoming shows
Dakan April 11 (Balattou?)
Next week
Dense
Rewritten recently
Political economy
Commodification
Usage rights
Social change
Music People
Musicker
Musician
Artist
Marginality
Social topology (centre, margins)
Chief, priest, elite
"If we were all like you…"
La marge
Edge
Fringe
Anti-conformism
Think Different
Becker
"Culture" for sociologists
Sociological fieldwork
Vulgarity
Gender
Finance
Language
Being different
Pride
Rebellion
Wealthy families
Evaluation
Self-segregation
Squares antagonism
Ghettoisation
Jazz to commercial (Still active)
Deviance
Drugs
Sexuality
Ethnicity
Anti-racism
Spirituality and religion
Hollywood's role
Las Vegas, New Orleans, Amsterdam...
Musicians in Society
Associate with musicians
Role models
Music fans
Music and social change
Dream change
Playlist
A Love Supreme, Part I -- Acknowledgement 7:45 John Coltrane
Pour un ami condamné 4:21 Diane Dufresne Diane (disc 2: Dufresne)
J'aurais Voulu être Un Artiste 4:21 Starmania
Artistes 3:53 Claude Dubois Ma Préférence
The Unknown Pedestrian 8:35 Alexandre Burton Cache 2000 Times Play
Chiaroscuro... ou les jeux de l'ambiguité 17:47 Dhomont, Francis 1st Magisterium of the 16th International Electroacoustic Music Competition, Bourges 1988
Harlem Blues (Acapulco version) 4:47 The Branford Marsalis Quartet Mo' Better Blues (feat. Terence Blanchard)
Lemon Incest 5:15 Serge Gainsbourg De Gainsbourg à Gainsbarre (disc 2)
Dreamer 3:31 Supertramp The Very Best of Supertramp
Imagine 3:04 John Lennon Lennon Legend: The Very Best of John Lennon
It Can Happen 5:29 Yes 90125
Barry Farms 5:20 Me'Shell NdegéOcello Cookie: The Anthropological Mixtape
Friday, March 16, 2007
Wednesday, March 14, 2007
Ian Cross
[he] is the only member of the Music Faculty at Cambridge (as far as he is
aware) to have rejected an offer to join the Bay City Rollers.
Wednesday, March 07, 2007
398mtg10heavy
Next Week
Wanted Levitin
Openness to cultural
Cross
More on Culture
Specifically on human evolution
Anthropological connections
Human adaptation
Auditory cheesecake
Levitin on same
Interviews
Convinced that music adaptive
From Last Week
Acoustic terminology
Notice connections
Timbre
Descriptions
Genres
Methodology
Applied acoustics
Culture and sound
Methods
Cognitive science
Cognitive ethnomusicology
Experimentation
Stimuli
Observer effect
Bias
Interest in music genre
Knowledge of music-culture
Ethnography
Exploration
Acoustic analysis
Walk the Line
Objectivity
Universalism
Etic and measured
Perception as causal connection
Subjectivity
Perception
Emic and functional
Meaning as arbitrary association
Heavy as comparative term
Noisy
Noise as technical term
Noise as aesthetic boundary
Harmonics
Formants
Timbre
Noise aesthetics
Obscure fundamental frequency (pitch)
Opposed to WAM
Amplification technology
Music industry
Sales
Charts
Popularity
Reaction
Nostalgia?
Opposition to music industry
Subversion
Music genres
Genre and personal style
Clothing
Hair
Identity
Primary identity?
Social group
Social class
Working-class aesthetic
Ethnic background
How identify genre
Musical characteristics
Melody
Scales
Modes
Harmony
Rhythm
Compositional technique
Improvisation
Instrumentation
Timbre
Ensemble composition
Recognise people
Influences
Lyrics
Context
Origin
Timbre
Back to soul and throat lozenges
Sound vs. rhythm, melody, etc.
Genre recognition
Know it when hear it
Named genres
Key figures
Artist/band
Discussed genre history
Influences
Genre classfication
Taxonomy
Russian dolls
"Folksonomy"
Tagging?
Metal meets ska meets bluegrass
Recognise feature
Fusion cuisine
AMG Metal in Hard Rock
http://allmusic.com/cg/amg.dll?p=amg&sql=77:655
http://allmusic.com/cg/amg.dll?p=amg&sql=73:20
Metal
Death, Black, Christian, Speed, Alternative, British, Industrial, Rap-, Progressive, Neo-Classical, Pop-, New Wave of British Heavy, Punk, Stoner, Scandinavian, Goth, Doom, Symphonic Black, Sludge, Power, Hair
Rock
Detroit, Rap-, Aussie-, Album-, Boogie, Arena, Glam, Southern, Hard, Blues-
Others
Glitter, Guitar Virtuoso, Grindcore, Thrash
Virtuosity
Display of skill
Speed
Guitar
Guitar heroes
Guitar hero game
Air guitar
Other instruments
Bass
Drums
Vocal
Synth as pop
Genre parallels
Bebop
Characteristics of metalheads?
Headbangers
Hair
Males
Working-class?
European-American
Living Colour
Relatively little influence "abroad" (in "non-Western")?
Younger generation?
Generation Y and older
Genre's development
Evolution?
Agree on increased heaviness?
Historical periods
Links to social events?
Attitude
Machismo
Arrogance
Insolence
Anger
Gloom and doom
Gravitas
Seriousness
Playfulness?
Drama
Loudness
Nina Fales
Perceptual dimensions
Auditory illusions
Ethnography and acoustics
Harry Berger
Heavy Metal
Phenomenology
Italian promenade
Opinionated Rock critics
Failed musicians?
Music geeks
Knowledge
Historical developments
Qualify music
Adjectives and adjective-like expressions
Codifying musical taste
Power of suggestion
Vids
http://youtube.com/watch?v=dVUgd8ot6BE
http://youtube.com/watch?v=PRRjUcg8lKA
http://youtube.com/watch?v=1aSUA0isj8o
http://youtube.com/watch?v=ObwjioytHdE
http://youtube.com/watch?v=gJHXTfixkNo